Wednesday, August 26, 2020

How to Teach Language Through Poetry Free Essays

The utilization of writing in the EFL study hall through three alternate points of view. Investigating verse as a solid choice.. We will compose a custom article test on Step by step instructions to Teach Language Through Poetry or then again any comparable subject just for you Request Now More often than not writing is for the most part identified with perusing and composing, however it might assume the equivalent significant job in showing talking and tuning in the event that we structure imaginative exercises. Instructors can utilize writing in the homeroom for various purposes, for example, perusing resoundingly and sensationalizing a sonnet, showing articulation, and numerous different exercises. There are numerous points of interest of utilizing writing in the EFL homeroom. To discuss the general focal points of writing can be an expansive methodology in this manner; we won't center around them. Rather, we will view the advantages from three alternate points of view: writing as real and credible material, as a decent language source and as an extension to get the student intrigued and furthermore, we will make reference to verse as a solid choice to create students’ abilities. MATERIAL Literature is valid material that makes understudies travel to remote nations and fabulous universes. This keeps our understudies spurred and advances positive demeanor toward learning. Sonnets, books, and stories can carry ground-breaking enthusiastic reactions to the study hall. Besides, understudies can relate their own genuine lives to the accounts they read. Scholarly messages help EFL understudies to improve language learning. In any case, writing without anyone else isn't sufficient; educators need to utilize innovative methods for incorporating writing work with language instructing. It is likewise important to bring spurring system and to pick the correct material to keep understudies intrigued. Language is the most unmistakable element of writing. Through writing understudies find out about sentence structure and talk, various structures, capacities, and the various methods of associating thoughts, all these assistance understudies to build up their composition, tuning in, perusing and talking aptitudes. As they use writing they find out about language structure without seeing, this assists with building up their informative skill, what as we probably am aware, is a definitive point of English learning. Student In the homeroom the utilization of writing urges students to get included ith the accounts they peruse or hear; the comprehension of the words turns out to be less significant as they engage in attempting to make sense of what's going on with a character or the finish of a story. Understudies may likewise like utilizing writing if the exercises are arranged towards satisfaction and inventiveness as opposed to retaining or observing syntactic principles. Writing can be viewed as the extension between the student and the way of life of the individuals whose language they are considering; so as to get the students keen on the way of life, we need to deliberately choose the artistic writings as indicated by their inclinations and level of perception. For what reason DO WE USE POETRY WITH THE LANGUAGE LEARNER? Verse is a short bit of creative composition, of an individual sort and spread out in lines. In this sense, verse is a result of the language and a device to show it, a device to encourage linguistic pieces of information and an item when understudies make a structure of any subject. The vast majority of the sonnets incorporate analogies. Understudies can utilize psychological aptitudes by making examinations between two distinct things and finding their similitudes. The hyperboles utilized in verse, for example, analogies, metaphors and representations help understudies to have a superior comprehension of the utilization of language in an oblivious manner. Verse is a path for educating and learning fundamental abilities. It tends to be utilized as a pleasant and a compensating apparatus with the properties of rhyming and beat. It encourages understudies to effortlessly learn with the supra-segmental part of the objective language, for example, stress, pitch, inflection. Utilizing verse while instructing English can have numerous advantages: * It energizes exploratory writing. * It assists understudies with acknowledging sounds words and examples. * It creates phonic abilities. * It makes understudies express sentiments and suppositions. * It furnishes an incredible chance to play with language. It fortifies the capacity to think and to try different things with students’ comprehension of the world. * It assists with securing jargon, inventiveness and creative mind. * it uncovers, rehashes, fortifies and asserts those things which we believe are valid. * It allows to find and investigate the utilization of the language. * It crea tes community oriented exercises (pair and gathering work). Verse and the four aptitudes We can build up the four abilities while utilizing verse: Poems are a great idea to strengthen language structures and to improve composing capacities, bringing out innovativeness and mood in the study hall since understudies need to utilize their creative mind to compose. Additionally, sonnets help to create oral and intellectual abilities. They ought to be perused out loud to strengthen the student’s phonemic mindfulness, phonics, familiarity, and jargon just as to hone their responsive language abilities by getting the hang of rhyming, sounds, stresses, delays, similar sounding word usage and syllables. Thoughts for utilizing verse in the study hall * Discussing the subject of a sonnet and working out close to home encounters identified with the topic. * Deducing implications from the specific circumstance. * Completing a summarization of a sonnet (cloze-style). * Choosing the best reword among a couple. Foreseeing what’s coming next in the wake of perusing just each stanza in turn. * Ordering scrambled refrains or lines in the right succession. * Rewriting a piece of a sonnet in one’s own words and thoughts to offer various messages. * Filling an overlooked word, expression, or line corresponding to its unique circumstance. * D iscussing similitudes and contrasts between sonnets of a similar subject or topic. * Identifying any aural or melodic characteristics in the sonnet (rhyme, similar sounding word usage, and comparison). * Reading out loud sonnets (choral perusing) and making a tune. This shows sounds and stress. Utilizing visuals pictures, for example, compositions to assist students with imagining settings, chronicled periods, and so forth * Imitating o spoof the style of sonnet. * Acting the sonnet: emulate, pretend, execution, and so on * Making a companion or gathering arrangement, composing together. Valuable Web locales www. readwritethink. organization/exercises/lesson_view. asp? id=391 www. poetryteachers. comh www. poetry4kids. com www. poetryzone. co. uk www. michellehenry. fr/sonnets. htm www. poemhunter. com www. tooter4kids. com/homeroom/poetry_in_the_esl_classroom. htm www. teachingenglish. organization. uk/think/writing/poems_prod. html http://www. youtube. com/client/b4uguy#g/u Conclu sions Using verse in the homeroom is an incredible device, yet we can't overlook that we need to pick the correct material, so understudies can boost their learning. It must be fascinating and sufficient for every understudy level, finding out about new things is typically intriguing for understudies. Students will profit by writing; we are mindful of placing in contact our understudies with material that gets their advantage, so they need to peruse and listen more, which turns out in further and more extravagant learning. Additionally, it can make open doors for individual articulation just as fortify student? s information on lexical and linguistic structure allowing the chance to build up their open and psychological abilities. Numerous educators imagine that remembering verse for the EFL study hall can be a substantial and futile work. Notwithstanding, we have broke down a portion of the advantages that working with verse can bring to the learning procedure. Additionally, we pointed that it is valuable as well as, understudies can have a great time on the off chance that we pick the right exercises and sonnets. The most effective method to refer to How to Teach Language Through Poetry, Essay models

Saturday, August 22, 2020

Power and the Legal System Essay -- Law

Access to the law and lawful framework is the capacity to shape it, both in its significance and understanding. While the variables that typically decide the ability to shape law are not static, in general, access to law has been held by explicit gatherings of individuals: the rich, guys, whites, also, strict specialists. In developing the law, these particular gatherings have customarily utilized their capacity to strengthen their predominant position and hinder the capacity of frail gatherings to further their inclinations. It is this situation of favorable position that permits the overarching gatherings to keep up an arrangement of imbalance strengthened by the law that ensures their thriving while at the same time compelling the impeded to speak to risky strategies to advance their prosperity because of their absence of access. In his discourse, â€Å"Address to the Prisoners in Cook County Jail,† Clarence Darrow characterizes law as a making of the rich, who, due to their riches, own and control the greater part of the property what's more, establishments of society (Darrow 229). The entrance that accompanies their riches at that point awards them the ability to develop the law in a manner that continues their tip top position. For Darrow, as a result of this arrangement of intensity, the unprivileged people are compelled to search out other, frequently criminal methods for living so as to endure. He clarifies this by expressing, â€Å"The more that is taken from the poor by the rich, who get the opportunity to take it, the more destitute individuals there are who are constrained to depend on these methods for a livelihood† (227). By employing their capacity, the rich have had the option to reliably upset the capacity of the poor to get to genuine openings, frequently driving them to take an interest in exercises, for example, theft and robbery all together to ob... ... for the structure of disparity to be pulverized, access to the law and the capacity to shape it must be given to all. Works Cited MLA Citation Darrow, Clarence. â€Å"Address to the Prisoners in the Cook County Jail.† Before the Law: An Prologue to the Legal Process. Ed. John J. Bonsignore., et. al. Boston: Houghton Mifflin Company, 2006. pp. 225-232. Galanter, Marc. â€Å"Why the ‘Haves’ Come Out Ahead: Speculations on the Limits of Legal Change.† Before the Law: An Introduction to the Legal Process. Ed. John J. Bonsignore., et. al. Boston: Houghton Mifflin Company, 2006. pp. 81-89. Kropoktin, Peter. â€Å"Law and Authority.† Before the Law: An Introduction to the Legal Process. Ed. John J. Bonsignore., et. al. Boston: Houghton Mifflin Company, 2006. pp. 158-167. MacKinnon, Katherine. â€Å"A Rally Against Rape.† White Plaza, Stanford University. 16 Nov. 1981.

Friday, August 21, 2020

Summers, Lawrence Henry

Summers, Lawrence Henry Summers, Lawrence Henry, 1954â€", U.S. economist, government official, and educator, b. New Haven, Conn. Educated at the Massachusetts Institute of Technology (MIT) and Harvard, he taught at MIT and in 1983 became the youngest tenured professor in Harvard's history. He served on the President's Council of Economic Advisors in 1982â€"83 during the Reagan administration, edited the Quarterly Journal of Economics in 1984â€"90, and in 1991â€"93 was chief economist of the World Bank. He left Harvard in 1993 to become under secretary for international affairs in the Treasury Dept. during the Clinton administration. He was deputy secretary under Robert Rubin from 1995 until 1999, when he succeeded Rubin as secretary (1999â€"2001). Summers became president of Harvard in 2001. His contentious relations with many in the faculty, and a 2005 controversy sparked by his suggestion that the presence of fewer women in upper-level science and math positions was the result of innate differences b etween men and women, led to his resignation as president in 2006; he remained a professor there. From 2009 to 2010 he was director of the National Economic Council under President Barack Obama. The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved. See more Encyclopedia articles on: U.S. History: Biographies

Sunday, May 24, 2020

Oedipus and Creon in Sophocles Oedipus the King Essay

Oedipus and Creon in Sophocles Oedipus the King At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play â€Å"Oedipus the King†, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In â€Å"Oedipus the King†, Oedipus effectively portrays the idea of the classic â€Å"flawed hero†. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other†¦show more content†¦Soon enough however, a guard comes running in to tell him that Polynices has indeed been buried. Creon is furious. He immediately accuses the guard of burying him. â€Å"You are a born nuisance† (75), he says, â€Å"You squandered your life for money† (75). The guard summarizes Creon’s transformation from patient ruler to brash king when he says â€Å"Oh it’s terrible when the one who does the judging judges things all wrong† (75). Creon, just like Oedipus, accused the guard of something he didn’t do. He lacked proof and he had little evidence, but he proclaimed him to death anyway. Oedipus and Creon are alike in yet another way. They both committed vile acts of hubris. Both of them went against the gods for feckless and pointless reasons. Oedipus committed hubris by insulting Tiresias. He accuses Tiresias of â€Å"betraying us, destroying Thebes† (177). Tiresias is a prophet of the gods. He is just telling Oedipus what he has seen. Tiresias’s refusal to tell Oedipus his secrets only results in more name-calling and humiliation. Oedipus calls him the â€Å"scum of the earth† (178). Oedipus is so enraged by his prophecies that he accuses him of â€Å"helping to hatch the plot† (178). Oedipus suspects that Tiresias is being bribed. â€Å"Who primed you for this? Not your prophet’s trade† (179), he says. Oedipus’ rashness lead him to accuse Tiresias, a prophet of the gods and a wise seer, that he is corrupt and a fraud. This is obviouslyShow MoreRelated Comparing Creons Metamorphosis in Antigone, Oedipus the Kin g, and Oedipus at Colonus1114 Words   |  5 Pagesin Antigone, Oedipus the King, and Oedipus at Colonus      Ã‚  Ã‚   Temptation is ever present in our society and always has been throughout human history. When a person gives into temptation, this is seen as a sign of weakness. Usually, after a person has given into temptation once, that person will find each successive temptation easier and easier to give in to. Before realizing it, this person has changed into a completely false, morally lacking being. Over the course of Sophocles three plays AntigoneRead More Character Analysis: The Personality of Oedipus Essay1630 Words   |  7 Pagesstory. Creon, from the play â€Å"Oedipus the King† by Sophocles is used for both of these reasons. Sophocles wished to show that one cannot escape fate, yet did not want to cloud this issue with a possible coupe against his main character Oedipus. He also showed how, at times one character can act completely irrational, while one remains calm in the face of serious accusations. Creon is the brother of Iocaste, the Queen of Thebes, and was the brother-in-law to both King Laios and King Oedipus. WhenRead MoreSophocles The King And Antigone Essay1566 Words   |  7 Pages Sophocles wrote about kings. Mythological, or at least long dead, the regal protagonists of fraction of Sophocles’ surviving work embody the political realities of the ancients’ time. By examining and analyzing the origins and nature of kingship in Sophocles, one can glean a sliver of insight into a civilization that has all but disappeared. Sophocles’s kings were great human leaders, reaching their position through impressive deeds or standing in the community. Although they wielded great powerRead MoreThe Tragic Heroes Of Sophocles Oedipus The King And Antigone1275 Words   |  6 Pagesone of the most hidden but controlling characteristics one may have. It carves the path for many plays and stories and is usually not recognized until a situation is too late to fi x. This is represented in the two plays Oedipus the King and Antigone by Sophocles. Oedipus and Creon, the two the tragic heroes, have ignorance built up inside of them, though both are different. They then both then have realisation of their blindness by self-love, either by themselves or others. It is only two late whenRead MoreActing on Emotion938 Words   |  4 PagesActing on Emotions Sophocles designs his plays to instruct his audience members to behave morally correct. People’s actions are ruled by their emotions (jealousy, suspicion, anger, pride, and love) and it leads to negative effects for them. But when acting in a sage demeanor, it gives evidence to a person’s character. Sophocles writes his characters to be ruled by their emotions and to teach people to behave in a prudent demeanor. Sophocles designs his plays to have the people of authority actRead MoreAn Analysis Of The Of Oedipus And Oedipus Rex Essay1229 Words   |  5 PagesCreon Rex Ambition is a unique trait that allows the human race to either accomplish great things or fall into a web of greed and malice. Throughout the framework of history, humans have willingly paid a price to obtain power, glory, and wealth. The price for this achievement could include the loss of friends, family, monetary goods, and social status. The story of Oedipus Rex is no exception. A man, seemingly through no fault or causation of his own, rises to power then suffers a great fall atRead MoreThe Tragic Hero of Oedipus Rex Essay1383 Words   |  6 PagesThe Tragic Hero of Oedipus Rex According to the ancient Greeks and Aristotle the hero is a person who possesses superior qualities of mind and body, and who proves his superiority by doing great deeds of valor, strength, or intellect. In Sophocles Oedipus Rex the main character Oedipus possesses these characteristics of a true hero, which in turn lead to his self-destruction. In the beginning of the play Oedipuss great intellect is made known by the chorus who see him as someone who hasRead MoreCorruption In Oedipus The King And Antigone988 Words   |  4 Pages In Sophocles’ Oedipus The King and Antigone, Sophocles used two tragic stories to explore issues and themes involving that can be interpreted in several ways depending on the readers understanding of the play and the main theme in focus. From a personal view point, themes such as corruption, injustice, civil disobedience and power drunkenness were explored rampantly by Sophocles to further dramatize a story that conveys so much messages. The ancient Greeks are well recognized for gifting the modernRead MoreOedipus Rex Vs. Antigone1417 Words   |  6 PagesComparative Essay 11-20-01 Oedipus Rex Antigone It is only natural that an author use similar vessels of literature, such as figurative language, literary devices, and elements in his/her work. It is even more apparent between works that are connected by character, time, and theme. Sophocles did this when he wrote Oedipus Rex and Antigone. When comparing the two pieces, it becomes evident that very similar vessels connected these very different plays. Sophocles uses a specific type of figurativeRead MorePolitical Power During The Time Of Sophocles King Essay1508 Words   |  7 PagesIn the plays of Sophocles, we see various form and displays of political power. It is shown in a variety of ways. In both plays we see very similar displays of political power. When you think of political power today it is very different to how it was viewed back in the time of Sophocles. Sophocles shows examples of political power in his plays and these examples have many connections to people or things. In King Oedipus, we see an arrogant and very mean king. He cares about what the people need

Thursday, May 14, 2020

jean piaget - 1284 Words

Jean Piaget Jean Piaget (1896 - 1980) was employed at the Binet Institute in the 1920s, where his job was to develop French versions of questions on English intelligence tests. He became intrigued with the reasons children gave for their wrong answers on the questions that required logical thinking. He believed that these incorrect answers revealed important differences between the thinking of adults and children. Piaget (1936) was the first psychologist to make a systematic study of cognitive development. His contributions include a theory of cognitive child development, detailed observational studies of cognition in children, and a series of simple but ingenious tests to reveal different cognitive abilities. Before Piaget’s work,†¦show more content†¦He used the following research methods: Naturalistic observation: Piaget made careful, detailed observations of children. These were mainly his own children and the children of friends. From these he wrote diary descriptions charting their development. Clinical interviews and observations of older children who were able to understand questions and hold conversations. Piaget believed that children think differently than adults and stated they go through 4 universal stages of cognitive development. Development is therefore biologically based and changes as the child matures. Cognition therefore develops in all children in the same sequence of stages. Each child goes through the stages in the same order, and no stage can be missed out - although some individuals may never attain the later stages. There are individual differences in the rate at which children progress through stages. Piaget (1952) believed that these stages are universal - i.e. that the same sequence of development occurs in children all over the world, whatever their culture. Stage of Development Key Feature Research Study Sensorimotor 0 - 2 yrs. Object Permanence Blanket Ball Study Preoperational 2 - 7 yrs. Egocentrism Three Mountains Concrete Operational 7 – 11 yrs. Conservation Conservation of Number Formal Operational 11yrs + Manipulate ideas in head, e.g. Abstract Reasoning Pendulum Task Educational Implications PiagetShow MoreRelatedJean Piaget775 Words   |  4 PagesJean Piaget was a theorist who studied child development; one of the many aspects of early childhood Piaget studied was preoperational thinking. Preoperational thinking usually occurs from ages 2 through 7 according to Piaget. It’s when a child is not able to think logically and perform activities that require logic. In other words, a child is not yet ready at this stage, to reason many situations. Piaget created many experiments that could help educators observe and detect the stages and levelsRead MoreJean Piagets Theory1170 Words   |  5 Pagesthat of Jean Piaget and his theories on the cognitive development stages. Jean Piaget was born in Neuchatel, Switzerland, where he studied at the university and received a doctorate in biology at the age of 22. Following college he became very interested in psychology and began to research and studies of the subject. With his research Piaget created a broad theoretical system for the development of cognitive abilities. His work, in this way, was much like that of Sigmund Freud, but Piaget emphasizedRead More Jean Piaget Essay2046 Words   |  9 PagesJean Piaget Introduction Now known as one of the trailblazers of developmental psychology, Jean Piaget initially worked in a wide range of fields. Early in his career Piaget studied the human biological processes. These processes intrigued Piaget so much that he began to study the realm of human knowledge. From this study he was determined to uncover the secrets of cognitive growth in humans. Jean Piaget’s research on the growth of the human mind eventually lead to the formation of theRead MoreJean Piaget Essay1593 Words   |  7 PagesJean Piaget was a major contributor to the world of psychology and sociology that we know today. His works and discoveries still help sociologist determine and figure out ways people in society interact and develop throughout time. Piaget was born on August 9, 1896 and was raised in Neuchà ¢tel, Switzerland (Boeree n.d.). His family was very influential to his success. His father was a historian that authored many writings on the medieval times, and his mother wa s very intellectual and kind, howeverRead MoreJean Piaget Essay403 Words   |  2 PagesJean Piaget  · He was famous for working out a universal sequence of stages of cognitive development  · Notable for his idea that children (and adults) are continually generating theories about the external world  · He set out stages for when certain new aspects of generating theories; 1. Sensorimotor stage: which occurs from birth to age two (Children experience through their senses) 2. PreoperationalRead MoreJean Piaget And Lawrence Kohlberg892 Words   |  4 PagesAs you aged, did you ever notice that your understanding of right and wrong principles changed? According to psychologists Jean Piaget and Lawrence Kohlberg it should have. Individually the two psychologists have made remarkable discoveries on how children develop and use their moral development. Jean Piaget, grew up in Switzerland in the late 1890’s and early 1900’s with his father, who was a dedicated historian. Around Paget’s early twenties he had the privilege of working with many influentialRead MoreJean Piaget And Marie Montessori1124 Words   |  5 Pagesbiography of Jean Piaget and Marie Montessori. In addition to a biography it compares and contrast the two educators. One was more focused on the development of children, while the other specialized in the way children learn. They both were crucial components in the development of how teachers and professors educate their students regardless of their age. There are many people that have made a great impact on education throughout history. Two of the more prominent educators are Jean Piaget and MarieRead MoreEssay on The Theories of Jean Piaget752 Words   |  4 PagesThe Theories of Jean Piaget This essay is about Jean Piagets theory. Piagets theory has two main strands: first, an account of the mechanisms by which cognitive development takes place; and second, an account of the four main stages of cognitive development through which children pass. Piaget suggested that there are four main stages in the cognitive development of children. In the first two years, children pass through a sensory-motor stage during which they progressRead MorePsychology: Jean Piaget Essay1598 Words   |  7 PagesJean Piaget, a cognitivist, believed children progressed through a series of four key stages of cognitive development. These four major stages, sensorimotor, preoperational, concrete operational, and formal operational, are marked by shifts in how people understand the world. Although the stages correspond with an approximate age, Piaget’s stages are flexible in that as long as the child is ready they are able to reach a stage. In kindergarten, many of the stages of both sensorimotor and preoperationalRead MoreJean Piaget And Albert Bandura946 Words   |  4 Pageswould be Jean Piaget and Albert Bandura and how their theories fit into the developmental process. Both are great contributors to the field of psychology due to their theories on cognitive development. There are some similarities and differences between Albert Bandura’s Social learning theori es with Piaget’s cognitive theory in term of ideas and subjects that were used. Jean Piagets was one of the most recognized and influential developmental psychologist in the 20th century. Jean Piaget was born

Wednesday, May 6, 2020

Life After Outline for Research Paper Example

Life After Outline for Research Paper Example The Number One Question You Must Ask for Outline for Research Paper Example Writing any type of research proposal starts with a well-defined topic. After reading the thesis, there ought to be no doubt precisely what the research will be about. Anyone who's reading your example of a research paper will want in order to replicate your study easily. A research paper on-line template is among the practical tool for writing a research topic. To begin with, you should have an outline to assist you determine just what you'll be searching for. The entire sentence outline format is fundamentally the exact same as the Alphanumeric outline. You can also see essay outline. You could also see resume outline. You might also see chapter outline. An outline may be formal or informal. Try to remember that it's an outline of your primary paper therefore it will cover all the essential characteristics of your paper. Think about the more important points that you wish to make in your paper. Keep in mind, not everybody will be considering your paper. The paper needs to be consistent from the start to the very end. Now you know how to begin your research paper, you're probably thinking about how to keep going. Employing template makes the job simpler. A crucial part of any research paper outline is going to be a literature review. A comprehensive outline is essential for writing a fantastic research paper. The research paper outline can help to clarify the topic of the research paper, guide the subject matter to remain on course, and helps to begin the writing of the true research paper. The outline of your customized research paper will reflect upon your research so make certain that it provides a good idea about what your paper is likely to discuss. Lies You've Been Told About Outline for Research Paper Example For your research paper example to get going, you will need to announce your introduction with few sentences that show what type of research questions you are going to be asking. The research work considers much time to discover and collect necessary info. When you proceed through the procedure, the point is to receive your thoughts down to provide a direction of wherever your research will take you. Therefore, if you're asking how you're able to continue to keep your research on track to give more concrete outcomes, we've prepared some methods to keep you on course and enhance the caliber of your research. The initial outline permits you to structure your ideas and establish how you're going to lay out the paper. A well-made outline is crucial in locating considerable info and keeping track of large quantities of information from a research paper. The more points that you want to include, the more complicated outline you'll ever have. The Lost Secret of Outline for Research Paper Example A research paper outline, though, will additionally have a hypothesis or thesis as a portion of the introduction. It's possible to also describe the reach of your research. If you've ever done a research before, then you know it is hard to find the best results if you don't use an outline. Conducting a research isn't any doubt an elaborate affair and with all these tasks to do, it isn't uncommon to eliminate consistency if there isn't any outline. The Fundamentals of Outline for Research Paper Example Revealed To simplify, utilize the next diagram whenever you have to work on a research paper. Your document may have a complicated structure, especially in the event the main body will be big. To begin, you're going to need a great topic and a strong focus so as to acquire your paper outline rolling. If you take a look at research paper outline examples, you will observe we have several approaches to present the most important body. Outlining the sections right at the start of writing research paper can help you to keep a suitable structure for the whole write up. An outline is vital when a student has to handle a concise assignment of 1000 words or less. An outline will help to figure out the way a student will build other critical sections like Literature Review. Outlines for various topics will differ, but the principal points and structure will continue being similar.

Tuesday, May 5, 2020

The Woodspurge free essay sample

A Birthday’, written by Rossetti’s sister Christina: hers is equally simple in style and language, but while she expresses great happiness, ‘The Woodspurge’, written in 1856 when the poet was twenty-eight, shows a man in deep grief and isolation. Like Christina’s poem, this one also uses images of nature, and ends with focus upon a simple wild plant, the woodspurge. But is the speaker really seeing this plant? Why does he say at the end that the only thing he has learned from this experience is that â€Å"the woodspurge has a cup of three†? Is this really all that he has learned, do you think? It is worth looking in some detail at the first stanza, to see how Rossetti is able, in a simple and almost unemotional way, to express his mood, and the way that it has swung from pain (‘the wind flapped loose’, but is now ‘shaken out dead . We will write a custom essay sample on The Woodspurge or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page . ‘) into a sense that he is so full of sadness that nothing matters any more (‘I had walked on at the wind’s will, – I sat now . ‘), and indeed that what he is feeling is beyond human words (line 2 of stanza 2). The critic David H Riede has written: â€Å"The poem’s refusal to locate significance anywhere movingly expresses the hopelessness of deep grief.

Friday, April 3, 2020

Kant The Universal Law Formation Of The Categorical Imperative Kantia

Kant: the Universal Law Formation of the Categorical Imperative Kantian philosophy outlines the Universal Law Formation of the Categorical Imperative as a method for determining morality of actions. This formula is a two part test. First, one creates a maxim and considers whether the maxim could be a universal law for all rational beings. Second, one determines whether rational beings would will it to be a universal law. Once it is clear that the maxim passes both prongs of the test, there are no exceptions. As a paramedic faced with a distraught widow who asks whether her late husband suffered in his accidental death, you must decide which maxim to create and based on the test which action to perform. The maxim "when answering a widow's inquiry as to the nature and duration of her late husbands death, one should always tell the truth regarding the nature of her late husband's death" (M1) passes both parts of the Universal Law Formation of the Categorical Imperative. Consequently, ac cording to Kant, M1 is a moral action. The initial stage of the Universal Law Formation of the Categorical Imperative requires that a maxim be universally applicable to all rational beings. M1 succeeds in passing the first stage. We can easily imagine a world in which paramedics always answer widows truthfully when queried. Therefore, this maxim is logical and everyone can abide by it without causing a logical impossibility. The next logical step is to apply the second stage of the test. The second requirement is that a rational being would will this maxim to become a universal law. In testing this part, you must decide whether in every case, a rational being would believe that the morally correct action is to tell the truth. First, it is clear that the widow expects to know the truth. A lie would only serve to spare her feelings if she believed it to be the truth. Therefore, even people who would consider lying to her, must concede that the correct and expected action is to tell th e truth. By asking she has already decided, good or bad, that she must know the truth. What if telling the truth brings the widow to the point where she commits suicide, however? Is telling her the truth then a moral action although its consequence is this terrible response? If telling the widow the truth drives her to commit suicide, it seems like no rational being would will the maxim to become a universal law. The suicide is, however, a consequence of your initial action. The suicide has no bearing, at least for the Categorical Imperative, on whether telling the truth is moral or not. Likewise it is impossible to judge whether upon hearing the news, the widow would commit suicide. Granted it is a possibility, but there are a multitude of alternative choices that she could make and it is impossible to predict each one. To decide whether rational being would will a maxim to become a law, the maxim itself must be examined rationally and not its consequences. Accordingly, the maxim passes the second test. Conversely, some people might argue that in telling the widow a lie, you spare her years of torment and suffering. These supporters of "white lies" feel the maxim should read, "When facing a distraught widow, you should lie in regards to the death of her late husband in order to spare her feelings." Applying the first part of the Universal Law Formation of the Categorical Imperative, it appears that this maxim is a moral act. Certainly, a universal law that prevents the feelings of people who are already in pain from being hurt further seems like an excellent universal law. Unfortunately for this line of objection, the only reason a lie works is because the person being lied to believes it to be the truth. In a situation where every widow is lied to in order to spare her feelings, then they never get the truth. This leads to a logical contradiction because no one will believe a lie if they know it a lie and the maxim fails. Perhaps the die-hard liar can regro up and test a narrower maxim. If it is narrow

Sunday, March 8, 2020

Life for Blacks-Civil War essays

Life for Blacks-Civil War essays Life for African Americans after the Civil War was filled with joy and fear. As being former slaves, some had learned to expect hostility from white people and they did not presume it would instantly disappear. Even though the slaves were free, it was not a just freedom. African Americans faced racial segregation, discrimination, and extremely limited rights. The southern whites wanted to define control of blacks. They thought blacks were predestined to work as agricultural laborers. The black codes were created to give blacks certain rights, but it was under white conditions, so it ultimately hindered former slaves. Blacks search for independence was a long and seemingly lonely road. Many black people wanted to minimize contact with whites because there was a prejudice against them that would take many years to get over. To avoid contact with overbearing whites who were used to supervising them, blacks abandoned the slave quarters and fanned out to distant corners of the land they worked. Some rural dwellers established small all-black settlements that still exist today along the back roads of the South. Blacks felt they needed to be independent because whites would not welcome them with open arms to their communities. In some parts of the country, in order for a black man to enter a town, they had to have a note allowing it. This was clearly still a form of slavery. In addition to a fair employer, what freed men and women most wanted was the ownership of land. Land represented their chance to farm fro themselves, to enjoy the independence that self-sufficient farmers value, rather than working as a slave. It represented compensation for generations of travail in bondage. Everywhere, blacks young and old thirsted for homes of their own. But of course, most members of both political parties opposed genuine land redistribution and showed little sympathy for black aspirations. Northern ...

Friday, February 21, 2020

Analysis of the War on Terror Discourse from the Perspective of Dissertation

Analysis of the War on Terror Discourse from the Perspective of Systemic - Functional Linguistics - Dissertation Example Halliday’s Systemic-Functional Linguistics. Before we go into the actual formation in the speeches, let us first re-examine the core essence of the Interpersonal Metafunction within SFL itself. There are three component areas: the speaker/writer persona, social distance, and relative social status. Interpersonal Metafunction within SFL Societies, or individual if you like, form contexts based on experience. The evolution of experience, therefore, equals the evolution of meaning. However, the system of this formation is more a maze than a cycle because almost every components is a variable whose value is relative to almost every receiver in the formation of the experience. On the interpersonal level, the context and meaning of a text depends largely on speaker/writer, the giver of the text. From the image, persona, and all that constructs the speaker/writer stands for, the context is formed and subsequent meaning to the text is attached. It is, therefore, almost impossible to e xamine any process of information exchange by isolating the speaker or source of the message from historical frameworks. By now, some of you are probably saying that contexts are also largely formed by the receiver’s personal experience. ... However, expressions of future orientation or modalities are not independent causations that you can examine in isolation. In fact, these are results rather than causes of a long process where language is constructed, evolved, deconstructed and elevated to a position of power that can change countries and its destiny. A political speech is one clear example of how the interpersonal metafunction can influence and even manipulate human experience through systematic functional linguistics. Political speeches are delivered rarely as a mode of reporting. Political speeches are delivered to convince, gain votes, get approval of current and prospective voters primarily and all the other secondarily. There is, perhaps, no other platform of communication where meanings are pre-formed even before actual linguistics than a political speech. The persona or source of the message has already formed his meanings through the political parties he or she has chosen to join, stance on political issues, overall media behaviour, and even, physical appearance. The personal forms the social standing and establishes the social distance. Yes, those meanings can be changed as receivers form their own contexts but it can also be enforced once the speaker imposes his or her own using different rhetoric, form different ideas, and establish different presets. The rhetoric used in that speech was one that inspired, not forced take note, the entire nation into war. The text that was used, the thematic formation, and the poetry above the message operated across texts and across time. To demonstrate how the Interpersonal Metafunction in a Political Speech can manipulate human

Wednesday, February 5, 2020

Write a report style essay on one of the topics listed below

Write a report style on one of the topics listed below - Essay Example , businesses, especially those with overseas operations and branches all over the world rely on wireless networks to send and receive information on short notices. However, its effects may not all be good. In recent times, issues have been voiced out relating to health hazards arising from long term exposure to electro magnetic radiation emitted by wireless networks. Wireless Personal Area Network (WPAN) is a networking system which interconnects devices within a small geographic area. Such devices would include multiple printers, telephones, keyboards, mice and personal computers that need not be connected with wires anymore. An example of this would be Bluetooth. Worboys & Duckham (2004, p. 281) have described Wireless Local Area Network (WLAN) as technology that uses radio instead of wires to transmit data back and forth across distances of 100 m or so from LAN access points. It connects computers in a small area such as a home, office or school. An example of this would be WiFi (wireless fidelity) networks. Mobile Device Networks are alternative means of carrying computer data through smart phones and cell phones. Such networks include Global System for Mobile Communications, Personal Communications Service and D-AMPS. Research has been carried out about the risks to health caused by wireless networking systems. Studies have linked radiation from mobile phones to cancer and brain damage and scientists believe that it can cause premature senility and tumors. Children are especially at risk as they have thinner skulls than adults and developing nervous systems. According to Bangeman (2006), Fred Gilbert, the president of Lakehead University, declares that since younger people have fast growing tissues, wireless networking system poses a threat for them and that even if the risks associated to wireless networking have not been realized yet; it may be so 30-40 years down the road. Another cause of concern is that wireless networking systems use 2.4 GHz radio

Monday, January 27, 2020

Managing Change In The Workplace Management Essay

Managing Change In The Workplace Management Essay High performance workplaces are by nature vibrant. Organisations that want to survive as well as to flourish are innovative, plus effective change management is a requisite skill across all workplaces. Novel technology, novel systems, company mergers in addition to the impact of global trade mean that workplace change is a feature of all of our work lives. Winning employees commitment to innovation and change in the workplace is the key challenge for contemporary management. (Mullins, 2006) Workplace changes are introduced for many reasons. A number of these reasons will be obvious to everyone in the workplace as well as some less so. Cost saving, quality improvement, increased management control, increased employee empowerment, introduction of novel technology, service expansion and improvements to health in addition to safety are some of the goals that may be sought through workplace change. The impact of any change depends a great deal on how it is implemented. (Mullins, 2006) Change processes usually include four phases planning, consultation, implementation and monitoring/evaluation. Each phase takes time, as well as while it is important to reach the outcome, not putting the maximum effort into any of these phases may result in problems impacting on the outcome for a very long time. (Mullins, 2006) An understanding of culture in organisations can offer insights into individual and group behaviour, in addition to leadership. It can help to explain not just what happens in an organisation, however why it happens. (Mullins, 2006) However, many people are concerned not just by means of understanding culture, as well as hence organisational life. They see culture as something to be influenced to achieve organisational goals of productivity, profitability, and success in core business. They want to manage culture. (OConnor, 1997) High performance organisations are successful for the reason that they adapt and move by means of the changing times. They know that the most important thing in preparing for change and in implementing novel arrangements is ensuring they involve their key resource their employees. Effectively involving employees through consultation as well as participation at the outset in any change management process is vital to ongoing workplace productivity in addition to efficiency. (OConnor, 1997) Can culture be managed? Optimists believe culture can be managed; pessimists deny that it can be, according to (Mullins, 2006). They claim that optimists are often business oriented people, who optimistically see the culture of an organisation as being unified and unitary. On the other hand, pessimists are often academically or theoretically oriented, as well as more interested in explanations than practical utility. (Mullins, 2006) Realists, however, can see both sides of the debate. They are frequently interested in exploring culture change and are ready to admit some sway à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ if not control à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ of culture. Can culture be changed? One of the major ways that managers believe they can manage culture is by changing it. They can use one of the guides that are available, that suggest how to form, transmit or change culture, such as that by (Mullins, 2006). However, just for the reason that peoples behaviours have changed in a number of measurable way, it does not mean the organisational culture has changed à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ although behaviour change may be all that managers are interested in. (Mullins, 2006) Difficulties in managing culture Management of culture is hard if there is no agreement on what culture is in addition to culture can be viewed in an enormous variety of ways. The complexity of culture can lead organisations to attempt „quick fixes ° that are superficial. Value-laden judgements on what is the right culture for organisations, devoid of taking into account the unique environments in which they exist, can also make success hard for managers. What are the ethics of trying to manage culture? (Proctor, 2002) poses organisations by means of ethical questions they could ask before attempting to manage à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ or change à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ culture to influence organisational capability: What are the moral and ethical implications of trying to alter such things as feelings, beliefs, values as well as attitudes? Is culture the prerogative of management furthermore does management having the right to try to control or change it? What does culture change do to the quality of life for people in organisations? What costs to individuality result as of encouraging people to devote themselves to the values and products of the organisation, and then asking them to assess their own worth in these terms? (Proctor, 2002) What tools can one use to manage culture? Tools for managing culture comprise: 1. Management systems 2. Organisation models 3. Strategies. A number of these have been influential for a time, and have then been replaced or extended by novel ideas. They can frequently be seen as trends as well as fashions à ´Ã¢â€š ¬Ã¢â‚¬Å¾Ã†â€™ a number of enduring in addition to some not. (Proctor, 2002) 1. Management systems A number of management systems used by managers attempting to manage organisational culture include: Organisational growth (OD): This is a management system of slow, planned change. It is slackly shaped around organisational culture, emphasising how participation, teamwork in addition to problem solving can assist an organisation survives environmental challenges. It is still being used; however its effectiveness is being challenged. (Proctor, 2002) Total Quality Management (TQM): This is a management system used to increase an organisations productivity and quality by focusing on people making continuous incremental development inside existing cultures. A number of see it, however, simply as a control system which produces as well as enforces uniformity, devoid of an understanding of existing organisational culture and the possibility of sub-cultures. (Proctor, 2002) Business Process Re-engineering (BPR): This is a management system of forced, speedy culture change. Where TQM builds a culture that supports improvement, BPR is a result of frustration over the time it takes to do this. Organisation models: A number of organisation models used by managers attempting to manage organisational culture include: Sustainable organisations: The sustainable organisation demands a radical change in thinking regarding culture, transforming the organisation as of being part of the problem to being part of the solution. It is concerned by means of increasing productivity in the long-term in order to survive. Its managers aim to build human capabilities that create continuing innovation as well as high performance. It challenges the dominant economic paradigm and involves broader interests than just shareholders, such as the community in general, the biosphere in addition to future generations (Senge, 1994). Innovative enterprises: This model is similar to that of the sustainable organisation; however its managers attempt to institutionalise innovation to give the market edge. They aim to make innovation ordinary and frequent good practice. This model is useful for those who want to build an organisational culture in which innovation flows naturally as of how the organisation faces its environment, structures its bureaucracy, leads itself, and manages its internal management system. (Senge, 1994) Learning organisations: This is not a one-size-fits-all model. The learning organisation continually expands its abilities to shape its own future, influenced by specific elements of organisational culture, which determine, for example, whether the organisation learns as of mistakes or ignores them, sees opportunities or threats, as well as is pro-active or reactive in its strategies. Such organisations try to make a working reality of such attributes as flexibility, team work, continuous learning in addition to employee participation and growth. (Rosenhead, 1989) High performing organisations: In this British model, managers focus on people and their learning, and the growth of trust, personal responsibility as well as leadership. Supporting elements such as structure, strategy, systems, procedures in addition to resources are seen as useful only in empowering people and enabling them to achieve the full measure of their abilities. (Senge, 1990) Strategies: Strategies used to manage culture include: Strategic alliances: These are cooperative efforts on specific ventures and joint projects, which demand an understanding of each partners culture. Knowledge management: This is a strategy of transmitting culture by making use of novel technology in information systems, as well as by reinforcing the value of people in addition to their contributions to organisations. Knowledge management can encourage organisations to be learning organisations which are open to change. (Proctor, 2002) Flexible learning, which includes e-learning, is regarding the learner deciding what, where, when and how they learned. Flexible learning therefore offers a client-centred and workplace-centred focus for an organisation. Flexible learning practices have had a wide impact on many determinants of organisational culture: learners; teachers, their job designs, work, safety in addition to professional growth; human resources practices; organisational management; as well as technological resources. (Pedler, 1992)

Sunday, January 19, 2020

A Comparison of Vistor Frankenstein and Henry Jekyll Essay -- Papers C

A Comparison of Vistor Frankenstein and Henry Jekyll Mary Shelley's Frankenstein and Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde are two horrific tales of science gone terribly wrong. Shelley?s novel eloquently tells the story of a scientist, Victor Frankenstein, who creates a living monster out of decomposed body parts, while Stevenson?s novel describes the account of one, Henry Jekyll, who creates a potion to bring out the pure evil side to himself. Although the two scientists differ in their initial response and action to their creations, there are strong similarities between their raging curiosity to surpass human limitation, as well as their lack of responsibility concerning their actions. These similarities raise an awareness of human limitation in the realm of science: the further the two scientists go in their experiments, the more trouble and pain they cause to themselves and to others. In Frankenstein, Victor is extremely excited about his creation, but once the monster becomes animated with life, he is horrified and abandons his work. Dr. Frankenstein, upon seeing the reality of what he had created, had a moment of realization, ? . . . when those muscles were rendered capable of motion, it became a thing such as Dante could not have conceived? (Shelley 57). In the previous quotation, we, the reader, see Victor?s utter shock and abandonment of the project. When Victor notices the creature?s muscles twitching, his eyes are opened to what he has really done: ?Oh! No mortal could support the horror of that countenance? (Shelley 57). He had not thought about the consequences of creating a being, only the actual task. Unlike Dr. Frankenstein?s abandonment, Dr. Jekyll finds his experiment intriguing eve... ...ankenstein is horrified of what he is done, whereas Jekyll seems to be virtually proud of his scientific accomplishment and murderous ruse. Both scientists discover that all of their pride and knowledge cannot conquer the unknown and unimaginable. For this and other reasons, despite their differences, Dr. Frankenstein and Dr. Jekyll are both captivating literary characters that attempt to create and conquer the human mind. By investigating their similarities, we, as readers, critics, and scholars, can more fully understand the mode of scientific thinking and rationale in the nineteenth century. We also observe the consequences of two characters that overstep the bounds of reality and human conscience. Bibliography: Shelley, Mary. Frankenstein. New York: Penguin, 1983. Stevenson, Robert Louis. Dr. Jekyll and Mr. Hyde. New York, Penguin, 1978.

Saturday, January 11, 2020

The Leap

Francisco Mata Mrs. Harschlip Eng 102 â€Å"The Leap† In James Dickey’s poem â€Å"The Leap,† he tells about his memory of a â€Å"thin/and muscular, wide-mouthed, eager to prove† (21-22) girl, Jane MacNaughton. He talks about how she goes from being, â€Å"the fastest runner in the seventh grade†, (3) to a â€Å"Mother of four. † (28) Jane who spurned the earth, as a seventh grade runner, left behind the â€Å"slow-footed yokels† (44) in her cloud of dust. The playground champion is finally overcome by reality. She returns to dust as a victim of the â€Å"eternal process†. During a school dance, Jane â€Å"with a light/Grave Leap†, touches the end of a paper ring.Dickey sees this as a farewell to childhood and a new beginning into adulthood. She is well respected by others and has self-respect, at least enough to leap to touch the paper chain in front of her classmates. She is a young, strong girl and has a world of oppo rtunities at this time in her life. He describes her as the, â€Å"the fastest runner in seventh grade. † (3) This implies that she is a girl who capable of accomplishing any dreams she wishes. Dickey knew and admired Jane, he was â€Å"nailed to the ground†, unable to escape his feelings for her ever since the seventh grade.He feels a connection to her when she touches the paper ring hanging from the ceiling. He says that she â€Å"touched the end of something I began. † (47) He does not make it sound as if he had a personal relationship with her; however he says that she should hold on, â€Å"to that ring I made for you. † (51) He wants the Jane of his school age memory to hang on to the paper ring so that he will always remember her as a young, â€Å"muscular, wide-mouthed, eager to prove,† (22) girl that is capable of doing anything. He uses the ring as a symbol in his memory, as a way to keep her alive so that he does not have to cope with her eath. The ring can also be a symbol of marriage or companionship. He uses this first leap to represent Jane in all of her brilliance, as he remembers, so that he will not have to face the fact that she is not who she used to be and to honor her as the outgoing seventh grader who was willing to live life to the fullest. He does not go into detail to describe the second leap. This may be because he knows more about her in her childhood, or it may be because he does not want to know about her death at length. When she commits suicide, he knows she is not the same person that he once knew; she is now a, â€Å"mother of four. (28) She has changed, but it has not been for the better because she may have had a hard life. One day she was unable to handle the pressures of her life any longer and committed suicide. He says, as he holds the newspaper containing the article of her suicide, â€Å"that I held / without trembling a picture of her lying cradled / in the papery steel as though ly ing in the grass. † (30-32) It is not that he does not care about her death; he just cannot face her death and this is why he does not tremble. She is hardly the same person to him, and so he is able to save the image of her first leap.He will always use this one image as her identity, full and alive, to him. These two leaps are different, but are used to represent the same idea. Jane leapt in order to express her sense of freedom in the first leap. She leapt with strength; she showed to everyone around her that she was very alive, free and capable. Yet, the second leap was a cry for help, a searching for freedom. By taking this second leap she was able to become free by death. Her life was hard by, â€Å"some boy who did not depend/On the speed of foot, caught and betrayed her,† (40-41) and the heartache was too much for her to handle, so she took the leap so she can be free.The two instances are so different that he is able to separate them in his mind and supplement his memory for childhood Jane, who he saw gracefully leaping with a sense of ambition to touch the paper ring and the Jane of modern reality, who leapt to her death from a hotel window to rest in the, â€Å"papery still† (32) of a taxi cab, still graceful as â€Å"though lying in the grass. † (32) Work Cited Dickey, James. â€Å"The Leap†. Literature and the Writing Process. Ed. Elizabeth McMahan, Susan X Day, Robert Funk, and Linda S. Coleman. 9th ed. 2011. pg 630. Print.

Friday, January 3, 2020

Essay on Camus’ The Stranger (The Outsider) Reader...

Reader Response Criticism to Camus’ The Stranger (The Outsider) In The Stranger (The Outsider), Albert Camus anticipates an active reader that will react to his text. He wants the reader to form a changing, dynamic opinion of Meursault. The reader can create a consciousness for Meursault from the facts that Meursault reports. By using vague and ambiguous language, Camus stimulates the reader to explore all possibilities of meaning. Camus also intends to shock the reader into rereading passages. Through discussion of narrative structure, the opening lines, the role of pity, resentment toward Meursault’s judges, and the relationship between murder and innocence, I will prove that Camus’ purpose is to bring the reader to†¦show more content†¦The reader is intentionally left to compare Meursault’s impression on themselves with the consciousness that Camus creates. Camus uses this other, reader-created Meursault as a bridge and a tool to put the reader in Meursault’s shoes. On trial, the reader compares the mental reaction of Camus’ Meursault with their consciousness for Meursault. Already the reader sympathizes with Meursault (ostensibly because we create his consciousness and it is inherently similar to the reader’s), but in the court, Camus has the reader to place themselves on trial. The reader introspects on whether they are guilty of indifference to society. Camus has the reader create a consciousness for Meursault so that Camus can inspire introspection in the reader. Camus anticipates the reader will re-read his startling opening. By the opening lines, he sets a tone and standard that the reader should continually reassess their attitude toward Meursault. Aujord’hui, maman est morte. Ou peut-à ªtre hier, je ne sais pas. J’ai reà §u un tà ©là ©gramme de l’asile: lt;lt; Mà ¨re dà ©cà ©dà ©e. Enterrement demain. Sentiments distinguà ©s. gt;gt; Cela ne veut rien dire. C’à ©tait peut-à ªtre hier (L’Etranger 9). At first, Camus shocks the reader into believing that Meursault does not care about the death of his mother. Camus’ intention, however, is to compel the reader to create a dynamic approach to Meursault.Show MoreRelatedThe Portrayal of Society in Of Mice and Men and The Outsider Essay1430 Words   |  6 Pagesreading the two books for my world literature, of mice and men and the outsider I decided I will compare the two books on the topic choice; portrayal of society in the literature studied . This includes points such as: Meursault and Lenny not being accepted in society for who they are because they are different then others; another point would be there is a lot of violence within societies. The rest will be presented further on in my essay. But before presenting my points id like to give you a brief ideaRead MoreLiterary Analysis Of The Stranger 2900 Words   |  12 Pages Curtis Poindexter Professor Slattum English M01B 11 December 2014 Literary Analysis: The Stranger The novel The Stranger is a first-person account of the life of M. Meursault from the time of his mother s death up to a time evidently just before his execution for the murder of an Arab. It was written by Albert Camus in 1942. Meursault however, is not your typical hero of a story; rather an antihero. He is neither good nor bad, and harbors no emotion. He goes through his life with a preconceivedRead More Essay on Camus’ The Stranger (The Outsider): Finding a Rational God through Nature3501 Words   |  15 PagesFinding a Rational God through Nature in Camus The Stranger (The Outsider)    Turning towards nature for fulfillment, The Stranger’s Meursault rejects the ideology of God as a savior and is consequently juxtaposed against Jesus Christ’s martyrdom, Christianity and the infamous crucifixion. To the inexperienced reader, Meursault appears to be an extreme atheist. Later in Albert Camus’ novel, he is revealed as a humanistic soul that’s in touch with the universality of the earth and soil he treadsRead MoreRhetorical Analysis Of Harold Pinter s The Room 9709 Words   |  39 Pagesas a point to start with. Innes marks the year 1890 as the beginning of the Modern British Drama with George Bernard Shaw’s attack on the general complacency and hypocrisy of the Victorian age. Shaw’s The Quintessence of Ibsenism (1891), with its criticism of the â€Å"Idealists† who are moved only by moral generalisation, formed the basis of his scathing attack on Victorian values in his social problem plays such as Widowersâ€℠¢ Houses and Mrs Warren’s Profession (published as Plays Unpleasant in 1898). ThatRead MoreExistentialism vs Essentialism23287 Words   |  94 Pagesamp; Phenomenology * Existentialist Philosophers * ------------------------------------------------- Absurdism * The idea of the  absurd  is a common theme in many existentialist works, particularly in  Camus. Absurdity is the notion of contrast between two things. As Camus explains it in  The Myth of Sisyphus: * The absurd is born out of this confrontation between the human need and the unreasonable silence of the world. * This view, which is shared by  Sartre, is that humanity

Thursday, December 26, 2019

Descartes Cosmological And Ontological Arguments Are Well

Descartes Cosmological and Ontological arguments are well organized and are perceived as valid. However, these arguments may be found valid only if we follow the rules of Descartes premises through deductive reasoning. The soundness of Descartes Ontological and Cosmological arguments are questioned in this paper as I argue against Descartes axioms. Descartes bases his proofs of God on specific propositions and his own claims of knowledge. The lack of proof behind his premises is why I cannot except Descartes Ontological and Cosmological arguments for the existence of God. Although there are different arguments for the existence of God, as an empiricist, I need proof of the premises and not ideas of false premises. I can look at Descartes†¦show more content†¦I argue that an idea cannot be characterized as reality. Descartes denies the senses reveal the natures of substances and instead believes that he can perceive the nature of reality through a purely intellectual percepti on (enclapedia). There are many instances where we say an idea is not the same as reality. I can imagine, or have an idea, that I am flying with my own physiological wings. This idea has come about through my mind however; the thought is far from ever becoming as much reality as there is in its effect of the cause. Being lifelike is defined as being similar to or representing something realistic. In order to represent something I would say you have to resemble them in realistic way. This makes me question the existence of God because Descartes cannot come up with proof of how he knows God exists in reality except for through his own cogito. Even if God’s existence was necessary like premise III is implying, then there is still no evidence of what does or does not count as proof of existence in the actual physical world. Another reason to doubt the Cosmological argument is because of Descartes circular arguing. For example, If premise V is true, an infinite substance can only cause ideas of an infinite substance then, God has to have a clear and distinct perception of a infinite substance as well. God has to have an idea of an infinite being in order to compare, and conclude, thatShow MoreRelatedThe Argument Of The Existence Of God1480 Words   |  6 PagesThe arguments trying to â€Å"prove† the existence of God are by far some of the most controversial philosophical arguments out there. When some of the people who created these philosophies it was illegal or even punishable by death to even question his existence, let alone try to come up with a logical explanation to â€Å"prove† he is real. The two main arguments used today are the ontological argument and the cosmological argument. Neither one of these arguments are correct nor incorrect; moreover, theRead More Does God Exist? Ess ay1145 Words   |  5 PagesAny attempt to remain neutral in relation to Gods existence is automatically synonymous with unbelief. The question for Gods existence is really important. Does God exist? Theology, cosmological, teleological and ontological arguments are all have ways to prove the existence of God. With all of these great arguments how can one deny that there is a God. There is a God and with these reasons I will prove that. nbsp;nbsp;nbsp;nbsp;nbsp;There are two types of theology discussed in chapter nineRead MoreEssay on Hegel and Kant on the Ontological Argument1748 Words   |  7 PagesHegel and Kant on the Ontological Argument ABSTRACT: I intend to present Kants refutation of the ontological argument as confronted by Hegels critique of Kants refutation. The ontological argument can be exposed in a syllogistic way: everything I conceive as belonging clearly and distinctly to the nature or essence of something can be asserted as true of something. I perceive clearly and distinctly that existence belongs to the nature or essence of a perfect being; therefore, existence canRead More Descartes1226 Words   |  5 Pagesstage in the system, as outlined in the Meditations, seeks to establish that God exists. In his writings, Descartes made use of three principal arguments. The first (at least in the order of presentation in the Meditations) is a causal argument. While its fullest statement is in Meditation III, it is also found in the Discourse (Part IV) and in the Principles (Part I  §Ã‚ § 17–18). The argument begins by examining the thoughts contained in the mind, distinguishing between the formal real ity of an ideaRead MoreThe Cosmological Argument For The Existence Of God Essay1556 Words   |  7 Pagesreality of a being who, by definition, is not given in phenomenal experience? My position is that it is impossible to prove the non-existence of God, since I believe that God exists. I would use it the cosmological arguments, teleological and Ontological to prove that God exists. The cosmological argument for the existence of God is as follows: The world could not exist by itself so there must be a first cause that brought him into existence. The universe can not have an infinite past, he must have hadRead MorePhilosophy: Do We Have Innate Ideas? Essay1491 Words   |  6 PagesDo we have innate ideas? Offer your view with reference to the work of Descartes and Locke I understand the concept of innate ideas alone means ideas that presents our mind at birth. Descartes and Locke both have their own views about innate ideas and their arguments are completely different to each other and the question remain to the human knowledge. Do innate ideas really exist? Descartes does not put experiences to his philosophy like the other philosophers, Bacon and Hobbes. He believes thatRead MoreDoes God Exist? Essay1611 Words   |  7 PagesThis paper examines the many rational arguments for and against the existence of God. It is based on the views of some of the great philosophers and scientists of our world. I will show that there is no sufficient proof or comprehensive arguments for the existence of God. Some people search for eternal peace through the beliefs in God; but this is an impossible belief because of the chances, the plausibility, and because of science. ONTOLOGICAL ARGUMENTS God generally refers to one supreme, holyRead MoreThe Argument For The Existence Of God1411 Words   |  6 Pagesscrutinizes numerous logical disputes for and alongside the presence of God. I shall argue that there’s no adequate evidence or inclusive arguments for the existence of God. It is grounded on the views of certain great philosophers and scientists of all of mankind. Generally speaking for myself, I would correspond to have faith that there is â€Å"God†. Regrettably, it’s awfully well-defined that the being built up on insightful faith is no longer a suitable custom to shadow. During the course, I expected to learnRead More Ontological Argument Essay2922 Words   |  12 Pagesthe existence of God. These theories are the ontological argument, the cosmological argument, and the teleological argument. St. Anselm of eleventh century, and Descartes of seventeenth century, have used the ontological argument for proving the existence of God. The God, for them, is supreme, quot;needing nothing outside himself, but needful for the being and well-being of all things.quot; (Pg. 305). St Anselm’s account of the ontological argument for the existence of God deals with the ‘existenceRead More Comparing Knowledge in Descartes’ Meditations on First Philosophy and Hume’s An Enquiry Concerning876 Words   |  4 PagesComparing Knowledge in Descartes’ Meditations on First Philosophy and Hume’s An Enquiry Concerning Human Understanding, Rationalists would claim that knowledge comes from reason or ideas, while empiricists would answer that knowledge is derived from the senses or impressions. The difference between these two philosophical schools of thought, with respect to the distinction between ideas and impressions, can be examined in order to determine how these schools determine the source

Wednesday, December 18, 2019

Speech Fast Food - 805 Words

Persuasive Policy Speech COMM 111 April 20th 2011 Topic: Fast food should not be served in schools. Specific purpose statement: Lunches served in schools should be improved. Introduction. I. Attention getter: 20.1% as of the year 2010. 5 to 10 is the number of meals a child eats at school. The percentage of obese children in the US. The number is 4 times higher than 1970s. If you have been to elementary, middle or high school, at some time, you have been exposed to canteen food. II. Thesis: I am here to tell you why poor quality food should stop being served in schools. III. Credibility: I, since childhood, have been against unhealthy nutrition but also have deepened my knowledge through research. IV. Preview: A. Need:†¦show more content†¦A. First main sub point: Educate parents as well as children on healthy eating. 1 Support: according to the USDA’s mypyramid.gov, the Dietary Guidelines describe a healthy diet as one that, emphasizes fruits, vegetables, whole grains, and fat-free or low-fat milk and milk products; includes lean meats, poultry, fish, beans, eggs, and nuts; and is low in saturated fats, trans fats, cholesterol, salt (sodium), and added sugars. a. Specific information: Education about healthy eating proportions will make people conscious about their diets but also about their health. B. Second main sub point: encourage parents to give their kids lunch boxes with healthy food. 2 Support: according to CNN.com, 64.8%of parents wish the rule in Chicago’s Little Village Academy for kids not to bring box lunches to school be abolished. b. Specific information: we can see that people who are aware of the benefits of box lunches. C. Third main sub point: ban vending machines from schools. 3 Support:† it’s hard enough for parents to guide their children’s food choices, but it becomes virtually impossible when public schools are peddling junk food throughout the school day,† said CSPI nutrition policy director Margo G. Wootan. â€Å"Many parents who send their kids off with lunch money in the morning have no clue that it can be so readily squandered on Coke, Doritos,Show MoreRelatedInformative Speech- Fast Food Essays865 Words   |  4 PagesFast Food Specific Purpose: To inform my audience about fast food in the United States and its effects. Central Idea: The history of fast food, the effects of eating fast food, and its effect on the United States. Introduction I. Anywhere you go, there is a good chance there will be a fast food restaurant nearby. A. It’s the easy way out of cooking dinner, or grabbing something fast because you didn’t have time to make anything. B. Fast food may taste good, but have you ever thoughtRead MoreSpeech Fast Food Essay929 Words   |  4 PagesMcDunn Persuasive speech outline Eating Fast Food Introduction Relevance: You all have probably experienced fast food sometime throughout your life. Credibility: The first thing that comes to mind when mentioning fast food is greasy, oily, unhealthy garb, yet most of us consume junk food on a daily basis anyway. There are over 300,000 different fast food restaurants in the US. People frequent them because of convenience (quick and usually cheap). In such a fast-paced society, people are eatingRead MorePersuasive Speech : The Benefits Of Fast Food1400 Words   |  6 Pagesthey are healthy, but in fact healthy food is not as healthy as it may appear. Are you really going to eat something that’s green? Last time I checked, green means it’s rotten. Nowadays we need something quick. We dont have time to cook something healthy. Fast food is a convenience because we don’t have to prepare it ourselves. The faster you can get high amounts of calories into your body, the more energized and happy you will be. Switching to fast food is not only quick, cheap and easy, butRead More Persuasive Speech: Do Not Eat Fast Fo od Essay915 Words   |  4 Pagesaudience not to eat fast food. Relevance: You all have probably experienced fast food sometime throughout your life. Credibility: The first thing that comes to mind when mentioning fast food is greasy, oily, unhealthy garb, yet most of us consume junk food on a daily basis anyway. There are over 300,000 different fast food restaurants in the US. People frequent them because of convenience (quick and usually cheap). In such a fast-paced society, people are eating more fast food than ever beforeRead MoreJunk Food958 Words   |  4 Pagesfor Invitational Speech Speech Exploration of Sides of a Topic: discuss different types of junk food and the harm of the junk food. Thesis statement: the definition of junk food. How many different types of junk food? What is the harm for junk food. Content Pro: (Explore Issues or State Position) Examples and stories: 1. Less likely to be overweight. 2.In addition to foods and drinks with a lot of added sugar, it is important to keep in mind that junk food can include foods high in salt orRead MoreFood Inc When The Food Industry Keeps Their Farmers Under Their Control1553 Words   |  7 PagesIn the movie â€Å"Food Inc† we saw how the food industry keeps their farmers under their control. Food incorporation sets new protocols that require the farmers to keep purchasing more on dept. As a result of loans and only $18,000 annually (Kenner) they are stuck in a hole that they can’t get out of. I find many things disturbing about this. First off, I find it disturbing that he picked a poorly educated farming area. It seems obvious that the farmers don’t know what they got into and don’t have anyRead MoreThe Effects Of Fast Food On Children991 Words   |  4 Pagesthat falls into the trap of fast food advertisement. Overall, the fast food industry should be more socially responsible and not direct their marketing strategy of unhealthy food choices to children; this will cut down the percentage of children suffering from childhood obesity that leads to various health issues. One might object here, that it is a free market and freedom of speech is part of the U.S. Constitution. However, everyone has a different opinion about fast food and boudaries must be respectedRead MoreFast Food Is Bad For Our Health Essay928 Words   |  4 PagesFast food, we all eat it sometimes, but do we honestly know what we are consuming. Did you know that fast food can lead to various types of illness? For example, a heart attack or a lack of energy can be a result of eating fast food. Fast food has become a very important meal to America. Almost a quarter of Americans suffer from fast foods dangerous effects (Health line). Did you know that some people even die as a result of eating fast food. Fast food is a part of our today. Many of you know thatRead MoreMarketing to Children1352 Words   |  6 Pagesonly 1% of children s diets resembled the recommended proportions of the Food Pyramid. The amount of money that is spent marketing to children is outrageous. Companies purposefully market to the young children s tastes in a variety of ways through package design, typefaces, pictures, and content. Key elements for successful marketing to young children are carefully and thoughtfully planned by companies. The entertainment, fast and friendly service, immediate gratification, familiar brand-names fun-to-eatRead MoreBackground of Mcdonalds1986 Words   |  8 PagesMcDonalds 2012 Kanika Markland McDonalds SIC # 5812 NYSE: MCD Revenue 2011: $27,006M McDonalds Corporation is the worlds largest chain of hamburger fast food restaurants, serving around 68 million customers daily in 119 countries. Headquartered in the United States, the company began in 1940 as a barbecue restaurant operated by the eponymous Richard and Maurice McDonald; in 1948 they reorganized their business as a hamburger stand using production line principles.

Tuesday, December 10, 2019

Boston matrix free essay sample

2.1 BCG Matrix Analysis The Boston Consulting Group’s growth-share matrix is the model of analysing the company’s portfolio of SBUs. The following figure plots the position of Virgin’s SBUs. 2.2 Implications of BCG Matrix Analysis on strategy development Portfolio analysis has three uses. First, a business can assess the balance of its portfolio†¦ Second, the portfolio provides a framework for strategic market planning†¦ Third, each SBU should have a clear objective appropriate to its portfolio position†¦ 2.3 Limitations of BCG Matrix Analysis The major weaknesses are as follows: Market growth is an inadequate description of overall industry attractiveness. Market share is an inadequate proxy for relative competitive strength. The analysis is highly sensitive to how the market is defined. Definitions of the market can be fairly arbitrary and different definitions will radically change an SBU’s matrix position. The model assumes that business units are independent. 2.4 The parenting matrix-the Ashridge portfolio display In deciding on the appropriateness of the role of the parent and the mix of SBUs best suited to the parent, the parenting matrix can be useful. We will write a custom essay sample on Boston matrix or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The Ashridge Portfolio Display is a way of displaying this degree of â€Å"fit† of a portfolio of business. Two dimensions of fits are assessed: Fit between the critical success factors of the SBUs and the skills, resources and characteristics of the parenting organization. FIT between the parenting opportunities of SBUs and the skills, resources and characteristics of the parenting organization. Heartland businesses are ones that the parent can add value to without danger of doing harm. Since Virgin Atlantic founding, the airline has relied on service, value-for-money, and innovation, dished up with panache and flair, to differentiate itself in the market. Virgin Atlantic announced further expansion plans on the back of continuing growth and increased profitability. It is now the company closets to Branson’s heart. In addition, with the development of IT, the e-commerce has a  promising future. Vigin should continue its expansion in e-commerce with a wide range of connections from Megastores online to train booking facilities. Likewise, the development of Virgin Direct Ltd that is a financial can create synergies with other company business largely. Thus, they should be at the core of future strategy. Ballast SBUs are ones the parent understands well but can do little for. They would probably be just as successful as independent companies. If they are part of a future strategy, they need to be managed with a light touch. The retail sector is a mature industry where the environment does not change radically. Company has an abundant management experience in retail industry. Therefore Virgin needs not to put their eye to Virgin Retail in the future. Value trap SBUs are dangerous. They appear attractive because there are opportunities for the parent to add value. But they are deceptively result in more harm than good. There is a risk in Virgin Rail. If the passenger numbers does not rise, Branson’s project to undertake major investment in modern trains and convert the staff to a customer-service culture would not pay off, This business will get into hot water and will has a considerable damage to the brand. Virgin should take into account if Virgin Rail should be included in the future strategy. If they can be moved into the heartland, Some adjustments to the skills, resources or characteristics of the parent will probably be necessary. Alien SBUs are clear misfits. They offer little opportunities to add value and they rub awkwardly with the normal behaviour of the parent. Exit is the best straty. Some business such as Virgin Vouchers and Virgin Helicopter, London Broncos, which has a very little share in the total income of the company, and the industry perspective, is unattractive. Virgin’s management should divest them

Monday, December 2, 2019

Millenium Mambo

The later films of Taiwanese director Hou Hsiao Hsien, including Millennium Mambo, appear to have garnered the director a reputation of being cinematically â€Å"difficult† (Wood, 2001).Advertising We will write a custom essay sample on Millenium Mambo specifically for you for only $16.05 $11/page Learn More Released in 2001,Millennium Mambo represents the â€Å"15th film from Hou, a leader in Taiwan’s cinematic new wave of the 1980s. Although widely considered one of the greatest filmmakers working today, with each new movie considered a major event,† Millennium Mambo nonetheless was the first of Hou Hsiao Hsien’s films to secure a North American release (Dargis, 2004: p. 2). Hou Hsiao-hsien belongs to Taiwan’s â€Å"New Cinema† group, a collective of Taiwanese directors that emerged in the 1980s. The â€Å"New Cinema† movement collaborated on each other’s films, and enjoyed solid backing from film critics working in Taiwan at the time. Taiwanese cinema was dominated by â€Å"escapist romances and propaganda films† at that time, thus the â€Å"New Cinema† collective broke from tradition and â€Å"used a realistic style to convey their socially concerned themes†¦and their films â€Å"recognized the fact that Taiwan was not synonymous with China† (Huang, 1999: no page). Hou Hsiao Hsien’s work garners the most international recognition amongst the â€Å"New Cinema† directors. His subject matter remains almost exclusively grounded in the experience of living in Taiwan, which is in fact his experience, as Hou has spent the lion share of his life living and working in Taiwan (Huang, 1999: no page). Huang (1999) also notes that â€Å"contrasted with the positive influences one can gain from country life in most of Hou’s films are the attractions of the city, with its opportunities for a living wage and concomitant confusion of an alie n social structure, and its dissimilar types of human relationships,† which we see evidenced in Millennium Mambo (no page). Hou Hsiao Hsien’s films remain under the cinematic radar, largely unknown and for the most part unavailable to North American and European cinephiles. This paper will make a case for the distinguishing form of filmmaking applied by Hou Hsiao-Hsien in Millennium Mambo, with a particular emphasis on the director’s dramatisation of discrete scenes and his use of long shots and master shots to simultaneously create mood while maintaining an emotional distance from his characters.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More As a rule, Hou Hsiao Hsien’s films tend to favour aestheticism and mood over narrative structure, largely as a result of Hou Hsiao Hsien’s â€Å"intransigent refusal to â€Å"help† the audience by making obvious p oints, spelling out meanings, telling us what to think of the characters, or carefully explaining their motivation† (Wood, 2001: p. 12). Apt to rub critics the wrong way, this creative obstinacy of Hou’s can sometimes be read as self-aggrandisement, and results in unflattering criticism such as this dismissal by Jones (1999): â€Å"Hou joined the ever growing number of filmmakers who appear to have climbed too far out on the limb of aestheticism, showing no regard whatsoever for their paying customers† (Jones, 1999: no page). In order to fully appreciate Hou Hsiao Hsien’s films, Wood (2001) argues that audiences must â€Å"first†¦unlearn the indoctrinations of contemporary Hollywood and become active observers rather than passive receptacles, noticing even the smallest details, pondering their significance, making thematic connections beyond those of narrative, reaching our own decisions rather than having them foisted on us† (Wood, 2001:p. 12) . Other critics view Hou Hsiao Hsien’s work as deeply personal. In her essay Looking for Nostalgia: Memory and National Identity in Hou Hsiao-Hsien’s a Time to Live, a Time to Die, Wu (2003) holds that â€Å"Hou Hsiao Hsien consistently drew on his personal life experiences and those of his co-writers’ in the overall structure of the narratives, through which he represented the history of the increasingly industrialised and westernised Taiwan† (Wu, 2003: p.45). Hou Hsiao Hsien often collaborators with the same writers and cinematographers, all of whom make a conscious attempt to â€Å"project†¦themselves into their films† (Wu, 2003: p. 46). In Wu’s (2003) mind, Hou Hsiao Hsien and his screenwriters â€Å"offer the cinematic equivalent of historical representation, raising questions of identity on a symbolic level, in which they appeared to articulate themselves while simultaneously being articulated into history† (Wu, 2003: p. 46 ). As such, Hou Hsiao Hsien remain one of a handful of filmmakers concerned with â€Å"national soul searching, [and] reconstructing history as a function of reflecting the present† (Wu, 2003: p. 47). Millennium Mambo constructs a loose narrative around main character Vicky’s experience as a hostess in a trendy Taiwanese bar and her relationships with two men: her abusive boyfriend, and an older gangster who befriends her. Kaicer (2001) called Millennium Mambo â€Å"an urban youth film, set in the bars, clubs, and dingy apartments of contemporary Taipei† (no page).Advertising We will write a custom essay sample on Millenium Mambo specifically for you for only $16.05 $11/page Learn More The techno inspired soundtrack â€Å"dance music of his Taipei slackers defines the beat of its shots, the drift of its camera, the endless loops within loops of its spiralling chronology† (Kaicer, 2001: no page). For Sklar, (2002), Millennium Mambo represents Hou Hsiao Hsien’s â€Å"least compelling†¦narratives, but it’s reassuring to know that the film casts his remarkable artistry and moral seriousness at least another decade into the future† (Sklar, 2002: p.12). The film’s critical welcome, according to Wood (2001), was mainly mixed. Jacobowitz (2005) raved that Millennium Mambo perfectly depicted â€Å"the cool edginess of the alienated youth† of Taiwan (p.65). Berry and Lu (2005) saw Millennium Mambo as a work of art that â€Å"pursues innovation into a future setting† (p. 7). Los Angeles Times film critic Manohola Dargis (2004) found that: â€Å"Unlike the characters in director Hou Hsiao Hsien’s previous films – including his masterpieces â€Å"The Puppetmaster† and â€Å"Flowers of Shanghai† – Vicky and her friends don’t have strong connections to specific places, to a home or a history†¦[yet] as always with this filmma ker, the visual pleasures are enormous and often deeply touching. One of the most ravishing images in a film filled with ravishing images is of Vicky gently lowering her face into some freshly fallen snow. As she raises her head laughing, the camera lingers on the impression she’s left behind. In the snow, we see the traces of a self already melting into a memory† (p. 3). However, when the film premiered at the Cannes festival in 2001, Millennium Mambo garnered the dubious honour of being â€Å"the first of Hou Hsiao Hsien’s mature films to receive a less than enthusiastic reception† (Wood, 2001: p. 12). Millennium Mambo was â€Å"dismissed by critics in a perfunctory line or two with no attempt to relate it to Hou Hsiao Hsien’s previous work† (Wood, 2001: p. 12). Like Hou Hsiao Hsien’s other works, Millennium Mambo is backward looking, and told from memory. Sklar (2002) remarks that in Millennium Mambo â€Å"Hou Hsiao Hsien returned to [the] curious aspect of his penchant for the past [in] that the film opens with a voice-over explaining that its events â€Å"happened ten years ago in the year 2001,† casting the present as history† (Sklar, 2002: p.12). Though set in the recognizable present, Millennium Mambo continues Hou Hsiao Hsien’s tradition of looking to the past to offer commentary on the present. In Millennium Mambo, Sklar (2002) understand â€Å"Hou Hsiao Hsien’s strategy for taking on today’s chaotic, incoherent postmodern culture – as he makes it appear to be – involves viewing it as evanescent, as having already happened and, presumably, later been transformed into something else† (Sklar, 2002: p.12).Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Culturevulture.net (2004) describes Hou Hsiao Hsien â€Å"as a member of the â€Å"master shot† school of filmmaking† (No page). In standard filmmaking, the master or establishing shot happens first and presents the key elements of any given scene. The filmmaker then repositions the camera in nearer proximity to the subjects held within the frame, be they actors or objects, culminating usually in a close-up. When it comes time to edit, the filmmaker typically intercuts between the establishing shot and the medium and close shots to generate the intensity of the scene (Culturevulture.net, 2004: no page). Culturevulture.net (2004) highlights the fact that â€Å"Hou Hsiao Hsien almost never engages in this latter aspect of standard film technique. A movie composed mostly of long shots, especially extended takes as is usual for Hou Hsiao Hsien, tends to keep the audience emotionally distanced from the characters and the action. As a result, Hou Hsiao Hsien’s films are criticized as boring, and sometimes they are. But at his best, Hou Hsiao Hsien can provoke overwhelmingly intense emotions precisely because the viewer has worked to earn it. Hou Hsiao-Hsien films offer a generous store of images and feelings that lavishly reward time and patience† (No page). Hou Hsiao Hsien’s shooting style and camera work in Millennium Mambo relays a similar technique, although according to Sea (2002), Millennium Mambo â€Å"is the first of six films†¦to be realized in the next ten years†¦that deals with Taiwan’s present youth, and is devoid of the long pans, evocative images and detached shooting style that have typified Hou Hsiao Hsien’s work† (No page). Millennium Mambo contains a disconnected, emotionally frozen feeling, evoked mainly by the performances, but also by the way that the film is shot. An example of this occurs in the seduction scene (Millennium Mambo, 2001). Vicky returns from her hostess job to find her boyfriend, Hao Hao, at home and in the mood for love (Millennium Mambo, 2001).. Hou Hsiao Hsien’s camera stays far back from the scene as Hao Hao attempts to seduce Vicky, first through romantic kissing and finally through cunnilingus (Millennium Mambo, 2001).. Vicky, meanwhile, keeps her lips turned away from Hao Hao’s, and while he takes off her clothes she drinks a cup of tea and smokes a cigarette (Millennium Mambo, 2001).. Eventually, Hao Hao gives up and returns to the bedroom (Millennium Mambo, 2001).. The indifference and boredom that Vicky extends towards Hao Hao’s attempted lovemaking is exquisitely captured through the remoteness of the shooting style (Millennium Mambo, 2001). Like Vicky, the camera feels passively disinterested, essentially standing back from the action, offering no encouragement to the viewer, and waiting for Hao Hao’s frisky moment to be over (Millennium Mambo, 2001). The lack of passion in the shooting style perfectly mirrors the lack of passion and apathy that forms the heart of the scene, and of Vicky and Hao Hao’s relationship (Millennium Mambo, 2001). Critical response to the shooting style Hou Hsiao Hsien exhibited in Millennium Mambo was again mixed. Wilmington (2004) found that â€Å"Hou Hsiao Hsien, who often shoots his scenes in single takes with a roving camera, used only the sketchiest of scripts. Most of the heavily emotional scenes were improvised from brief outlines. Yet, working in this minimalist, seize-the-moment way†¦rivets our eyes and often wrings our heart† (p. 2). Halcyon Realms (2005) lamented that â€Å"in the case of Millennium Mambo the potential bore factor skyrockets because the photographer is Lee Pingbin, who loves to lock down his camera and shoot empty compositions where the actors are completely out of frame† (No page). Similarly, Thom (2002) remarked that â€Å"Hou Hsiao Hsien’s film could pass for a documentary, if it weren†™t for his extreme aesthetic approach† (no page). Kaicer (2001) found: â€Å"Contemporary Hou Hsiao Hsien†¦disorienting, experimental, jarring. Unprecedented for him, most of Millennium Mambo is shot in shallow focus and medium close-up, with a roaming, exploratory camera always in motion. A Hou Hsiao Hsien who directs the viewer’s eye, too, is something new: we’re used to slowly, patiently exploring the spaces he lays out for us, to exercising a certain autonomy as we read meaning into his films. Hou Hsiao Hsien controls our eyes in Millennium Mambo and shows us what he himself seems to be in the process of discovering, in something like real time† (No page). Bingham (2003) described Millennium Mambo’s â€Å"intensely claustrophobic tone and oblique compositions†¦characters half-viewed through doorways etc,† yet also pointed to the similarity in content between Millennium Mambo and Hou Hsiao Hsien’s earlier work Flowers of Shanghai. â€Å"Thematically, in its portrait of a girl building up to dumping her unemployed, layabout boyfriend whom she supports, it can be seen as a companion piece to Flowers of Shanghai, in that both films feature a protagonist desperate for freedom from an aimless relationship†¦or series of them in the earlier film†¦and independence in a culture still largely unsympathetic to their plight (No page). Huang (1999) echoes Wood in her suggestion that to appreciate Hou Hsiao Hsien’s films, audience members must remove the lens of Hollywood and open their minds to a filmmaker whose narrative bias leans towards indirectness (No page). In Huang’s (1999) mind, Hou Hsiao Hsien’s films â€Å"present the viewer with certain problems, and not only because they demand some awareness of Taiwanese political and cultural history during the second half of the last century [but because] †¦their treatment of narrative structure has become increasingly chall enging and unorthodox (No page). This is especially true of his shooting style. In Huang’s (1999) words, â€Å"one feels at times that Hou Hsiao Hsien shoots only the sequences that really engage him, leaving the audience to fill in narrative hiatuses with a combination of common sense and imagination. The many characters are seldom given the careful, emphatic introductions to which Hollywood has accustomed us, and close ups are rare, point-of-view shots non-existent; sequences are often entirely in long-shot. In short, Hou Hsiao Hsien expects us to work, concentrate, be vigilant; the films construct a spectator who is at once detached but sympathetic† (No page). In essence, Hou Hsiao Hsien’s shooting style emulates Vicky’s experience of life in Taiwan – disconnected, emotionally detached, non participatory, and boring. The absence of a real narrative in Millennium Mambo echoes Vicky aimless existence. As Wilmington (2004) describes â€Å"Hou Hsia o Hsien has evolved an almost rarefied technique, suggesting a life that seems to rush past his camera, unmediated and unaware† (p. 2). In the case of Vicky, the speed of the bar contrast sharply with the slow pace of change she exacts in her relationship with Hao Hao. How Hou Hsiao Hsien shoots Vicky’s world is exactly how Vicky sees the world – as a passive spectator, never really coming close to anything. Hou Hsiao Hsien’s shooting style appears to be patterned after his protagonist’s lived experience of life in Taiwan – passive, fleeting, distance. Burnett (2004) points to Hou Hsiao Hsien’s ability to â€Å"manipulate†¦the device of the fade or the dissolve to deflect spectator attention away from the amount of time that has elapsed between segments and other such questions of plot and to direct he/she towards pondering the evolution of the film’s style† (No page). In conclusion, director Hou Hsiao Hsien’s Millennium Mambo contains many of the filmmaker’s trademark touches. It is an aesthetically beautiful film, peopled by beautiful actors and replete with lush imagery. However, the shooting style, the lack of nearness to the characters, creates an emotional distance that imbues the film with a lost quality that lingers throughout. Hou Hsiao Hsien shoots and stages Millennium Mambo in a way that renders Vicky’s actual experience of life – disengaged, severed from any real emotional engagement with the world or with others, and drifting somewhat directionless through life. Reference List Berry, Chris and Lu, Feiyi. (2005) Island on the edge: Taiwan new cinema and after. Hong Kong, Hong Kong University Press. Bingham, A. (2003) Cinema of Sadness: Hou Hsiao-hsien and ‘New Taiwanese Film’. Cinetext [online]. Available from: http://cinetext.philo.at/magazine/bingham/cinema_of_sadness.html . Burnett, C. (2004) Parametric narration and optical transition de vices: Hou Hsiao-hsien and Robert Bresson in comparison. Senses of Cinema [online] 57. Available from: http://www.sensesofcinema.com/2004/feature-articles/hou_hsiao_hsien_bresson/ . culturevulture.net (17 January 2004 ) Films of Hou Hsiao-Hsien. China Through a Lens [online]. Available from: http://www.china.org.cn/english/NM-e/84923.htm . Dargis, M. (2004) Woman held captive to love in ‘Mambo’. Los Angeles Times [online]. Available from: http://articles.latimes.com/2004/mar/26/entertainment/et-mambo26 . Halcyonrealms.com (December 4, 2005) Millenium mambo. Halcyon Realms [online]. Available from: http://halcyonrealms.com/film/millenium-mambo/ . Huang, V. (1999) Hou Hsiao-hsien. Film Reference [online]. Available from: http://www.filmreference.com/Directors-Ha-Ji/Hou-Hsiao-Hsien.html . Jacobowitz, F. (2005) Hou Hsiao-hsien’s Cafe Lumiere. CineAction [online] 65. Available from: http://cineaction.ca/ . Jones, K. (1999) Cinema with a roof over its head. Film Commen t [online]. Available from: http://www.filmlinc.com/fcm/9-10-99/hou.htm . Kraicer, S. (2001) Millennium mambo. A Chinese Cinema Site [online]. Available from: http://www.chinesecinemas.org/millenniummambo.html . Sea, L. (2002) Millennium mambo. LoveHKFilm.com [online], Available from: http://www.lovehkfilm.com/panasia/millennium_mambo.htm . Sklar, R. (2002) Hidden history, modern hedonism: The films of Hou Hsiao-hsien. Cineaste [online], Fall. Available from: http://www.cineaste.com/ . Thom, F. (2002) Millennium mambo. Plume Noire. Available from: http://www.plume-noire.com/movies/cult/millenniummambo.html . Wilmington, M. (2004) `Mambo’ a raw film poem about the pain of desire. Chicago Tribune [online]. Available from: http://articles.chicagotribune.com/2004-04-16/features/0404150458_1_bar-girl-hao-hao-shu-qi . Wood, R. (2001) Flowers of Shanghai. CineAction [online], 11. Available from: http://cineaction.ca/ . Wu, I. (2003) Looking for nostalgia: memory and national identit y in Hou Hsiao-Hsien’s a time to live, a time to die. CineAction [online] 45. Available from: http://cineaction.ca/ . This essay on Millenium Mambo was written and submitted by user Bryant B. to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.